Overview – Pulp Fiction is a tragedy without the sadness and a comedy without the comic plot line. And at the same time as it portrays itself as a champion of those who want to escape the world of political correctness and limitations, it also mocks the dissociative culture that tends to come along with it, lamenting the American Wasteland. In other words, by pretending to have no moral message it only makes it hit harder. I also believe that the film was written with modern media criticism in mind and purposefully exaggerates the ever-criticized aspects of movies, such as jumping from scene to scene with no apparent reason, and throwing together a mishmosh of genres.
“[Criticism] is the only civilized form of autobiography”
Introduction – I’ve avoided discussing many of the plot details because that’s been done, and redone ad nauseum. Instead, I’ve chosen to focus on an aspect that’s been little talked about—the mythological influence in the film. I’ve read short comparisons between the original and the cinematic Ariadne, but most of what follows is new.
Ariadne – In Greek mythology, the Athenian hero Theseus set out to kill the bull-headed Minotaur in the Cretan Labyrinth to prevent him from eating more Athenian girls and boys. Luckily for him, the Minotaur’s half-sister Ariadne (“the resplendent one”) fell in love with him and decided to help him in his task. She gave him a ball of string that he could unravel as he navigated the maze so that he wouldn’t lose his way. Similarly, in Inception, Ariadne helps Cobb through the dream world, playing the role of Architect and shrink.
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How delighted would be all the kings, czars, and fuhrers of the past…to know that censorship is not a necessity when all political discourses takes the form of a jest?
-Neil Postman, Amusing Ourselves to Death
Overview –Clueless is an interesting social experiment. The producers deliberately set out to make new trends for teenagers, even releasing a Clueless-inspired line of Barbie dolls, and these efforts were wildly successfully. But, at the same time, the film is a satire on the very people it was marketed to. It depicts a Huxleyian (as opposed to Orwellian) dystopia. We do not have to fear Big Brother as much as we have to fear the golden fetters of Clueless, the myth of human progress through material goods which drives us to laugh and dance all the way to slavery.
The wine she drinks is made of grapes.
Introduction – Shakespeare wrote a tragedy about a black military hero, portrayed in a glowing light in the beginning, in the midst of a Europe that was still killing people over whether or not they believed that wine is the blood of Christ, let alone a man who was from another continent, with entirely different genetic phenotypes, and whose family presumably had a history of not only Islam but a pagan religion. Considering that only a few years later Englishmen in the New World would begin enslaving Africans in mass numbers, Othello is a remarkable example of tolerance.